Hi Mani,
Well, each of the filters is "build up" in a different fashion (like the umber of poles you mention) so it can easily be that. And if the other 3 have a similar sound, then it is coincidence when that would be because of the build up. Of course I see you looking at the 2x 17 for the Low and the first High above, but ... ok, maybe.
My explanation would be a very different one :
I use the Low because there's more "high" in it. This could be hard to explain, but when the high frequency sines are better shaped, they will audibly express more highs to your ears and it is genuine. Remember that this is at the cost of the even higher frequencies we are not suposed to hear very welll anyway (like 16KHz in this case) ...
The High filters approach it the other way around;
They exhibit the most of the highest frequency but now at the cost of THD. The effect ? more highs again.
So yep. But this time because of the sines out there being too much of a square, so to speak (they are not nice sines because of the implied distortion).
Maybe it is not 100% justified, but squares are more "high frequency"; the "not justified" springs from a kind of chicken egg problem, because a "square" in the music first implies high frequency (a square is build from many high frequency sines), which goes odd because the high frequency sines required, which become square - and those ... etc.
Anyway, the High filters too implies high frequency but that is
false.
Lastly, I should add that I use Low from pure theory - I like more highs. So once in a while it is really so that I engage Mid to get rid of too much highs, for the situation of concern. That this next helps is because my theory is right, or that you are right that something is odd or different with Mid. But as long as my theory is there, I like to stick to that ?
Peter